Sunday, August 12, 2012

CHAPTER 2

Contributed by: Will

The strip was a long, wide open hall that narrowed into nothingness, or so it seemed. It only seemed that way because of its vastness. In actuality, the strip (or strips) fed lengthily into West Abbey, a nightclub located at the very center of the podmarine. West Abbey was a place emptier than nothingness—the singularity of a black hole in a Universe of dark matter. And from that point extended two shimmering paths on opposite ends, like a double sided tongue to pull unwitting souls to the hallow heart of the Beast. Inside, Survivors administered proverbial shock therapy to themselves, and people danced to forget the pain of gravity, and neon stars shone behind an epileptic flicker of black lights, and the dewy scent of sweet, perfumed flesh concentrated in the air like ripe juice fermenting into something intoxicating.

I stood in the doorway by a pair of oafish bouncers who were keen to my plan--friends of the movement. I had arrived at West Abbey about fifteen minutes before Lucia and Ritzy would get there. I’d anticipated it. I knew they would stop to pick up Gili and Lili (Ritzy never performed without her aunt and mother watching, and she never made an entrance if they weren’t by her side).
I had two jackets with me: one, the black uniform of catering lackeys, the other a white uniform of valet lackeys. For my purposes I’d worn them both together, since I had nowhere to hide one except underneath the other. And there I stood in front of the club, sweating bullets, trying to blend into the scene and look as casual as possible while Survivors loafed glamorously and cars buzzed wildly about.

Oh yes, there were cars on the podmarine, and if you think the concept is reckless you should have seen the drivers.

The ship was the size of an island: 55 sq. km, to be exact. Of course, you couldn’t expect Survivors to walk or use transport systems or, god forbid, ride bicycles. Of course, cars on the Atlantis did not eject air pollutants because they were rebuilt to run entirely on water, hydraulics, and compressed air (it was a capability we’d long had on land but for reasons of economics, felt never the need to employ). Those cars took up alot of space, but we’d make room for status symbols before we would more human beings, of course. The irony is that lucky ones like me made it all possible, the gross inhumanities, and every time I maintained or rebuilt a vehicle, I looked at it in terms of weight and thought about how many people could-have-been saved and all the friends I’d left behind. Like being fed vomit and swallowing it for lack of food and fear of starvation, I hated it, but I had to earn my survival.

Heads turned in unison. People were suddenly enticed by something approaching, and no doubt it was Lucia’s car. Actually, it was the Captain’s car — one of his leftovers he’d given to Lucia as a birthday present — a Citroën GT, and I have to admit, it was a beauty.

Ritzy was driving. She liked driving the Citroën, but not as much as she liked being in control. She exerted her control over the red lights by running them and the stop signs by blatantly ignoring them, and if she ever saw a one-way sign she’d challenge it because no one, I mean no one, tells that woman what to do. Despite her unruliness, Ritzy wasn’t a clumsy driver and some of her maneuvers were actually quite spectacular.

The car glided to a stop in front of the entrance, and I slyly made my way to the passenger side door as a wave of paparazzi gathered in my trail. I didn’t go for the keys; another valet was there receiving them from Ritzy. Instead, I offered a hand to Lucia as she made her way, one leg at a time, outside of the vehicle.

It all happened in slow motion for me. I had my nanotech bug (which was literally the size and shape of a mosquito) nestled between my index and pointer so that, were I to lay my hand against bare skin, the mechanism would attach by its “insect” legs. To my advantage, Lucia’s dress was scooped daringly low at the back, and I would fasten my bug to the skin exposed there.

Professor H.G. Ridley and one of his nanotech spy bugs

As I laid my hand somewhere along her spine, she turned her head to look down her own back, demonstrating she’d noticed my touch without having to notice me personally. And I stared like a school boy (because I couldn’t help it) and found any excuse to remain holding hands with her, to the point where I was swashing my free arm through the air to clear human traffic that was already cleared by velvet ropes, and I pushed aside this and that famous person as I walked alongside her, and some ignored me while others turned to scoff, but my motions were so absurd that, finally, I achieved Lucia’s attention.

We were at the end of the carpet, and the hot noise of West Abbey came from the entrance like the breath of a dragon as the bass claimed our bodies and beat through our chests. 

Had I been short or fat or ugly by any means, she might have carried on ignoring me (and that's the shallow truth) but because I look handsome in a suit, she let out a laughing smile that hit me like fireworks and I stood there in a stupor, somehow managing a smile back. She let go of my hand ever so gently as the darkness of the club swallowed her whole, and I just stood there with my hand where she left it, high and upturned, and my eyes longing and hopeful: the stupidly theatrical pose of an opera singer reaching his tenor.  

Ritzy smiled too as she passed and batted her eyelashes at me because she was a shameless flirt. I paid her no mind till she asked, “what color are your eyes?” in a way that was ultimately rhetorical, and I fell back into the crowd because I was reminded then just how dangerously I was treating this serious matter.






Friday, August 3, 2012

CHAPTER 1

Contributed by: Will

She didn't know I was watching her.

I was watching everyone, but I was especially watching her.

That might sound intrusive, but it was my job. Not my "real job"— not my job on the Atlantis. On the Atlantis I was just a tool, another lucky one waiting tables, parking cars, sweeping floors, fixing stuff. My job as an observer was more important; it was the job I held with the Movement and you'll learn more about that later.

I kept a close eye on Lucia because she was dating the Captain. Of course, a woman like her would date the Captain. That's just the way things worked.

The Captain had all the money in the world (whatever was left of the world, that is — you see, the world as we once knew it had been reduced to just another floating mass in the depths of the ocean). The podmarine resembled a spaceship: a bloated metal disc, with an incandescent force field to protect it from the stress of the depths and we certainly would have imploded without it. Without that shield, our bones wouldn't even stand a chance; they'd shatter like frail shells; we were only human and weren't designed to live there; the place was for sea monsters. But the ship was a monster in its own way. Hovering above the deep-sea hydrothermal field, it was a pressure cooker that mashed souls into a condensed soup of superficiality, and everyone hoarded and everyone squandered, and the undiscerning life that made them filthy rendered them unrecognizable.

Dante's Inferno, Canto VII

The Captain ran the show. He was the Authority and CEO of the Atlantis. Like any King, he had his choice of women, and he chose Lucia. She was, to him, the perfect trophy wife, though she was not the type to be a wife and she'd tell you that too. No matter what anybody said, I knew marriage frightened her; she couldn't trust that people would stick around and never leave, what with her past and all... But she'd never admit to being frightened. She never exposed her vulnerabilities, especially not to a man like the Captain. It drove him mad she played coy while other women threw themselves at him, and I do believe he was in love with her.

I was in love with her too.

I had an immediate connection with her, even though up until that point I'd seen her only through surveillance technologies. We were separated by station (she wasn't "lucky" like me), but in mind and spirit, we were the same. I knew her.

I must tell you now a little more about me. I was born with a gift: intuition. Some people say it's paranormal, but it's just as normal to me as anything else. People ask me how I see... I don't see anything, I just know. I would say it's like knowing the sky is blue or the sun will rise tomorrow, but intuition is much more certain. At that point, I didn't know what color the sky was; even before the Freeze, it wasn't just blue. Intuition is honest.

I can't predict events. But people — I know them, and no one on that ship was as good as Lucia. 

I had been watching her for months and on this particular night, I would see her in person for the very first time at West Abbey in the heart of the Strip.

 Entrance to West Abbey @ the heart of the Strip

The Atlantis was one swank party half the time; it came alive at night. The Strip was where it all went down; it was a place teeming with nightlife — taverns, theatres, supper clubs, discotechs. When laser lights streamed and strobe lights beated, when confetti and glitter fell from the high ceilings and neon lights reflected off the smoke of dry ice, and the tintinnabulation of House music chimed its electronic sound from the mouths of the clubs, it reminded us how the stars shone bright in this great Universe, even if we couldn't see them. To think an artificial glow could fill us with such happiness... but I suppose we're a bunch of moths afterall. Well, this is how Survivors celebrated survival. Lucky ones like me weren't invited, but we were there to serve drinks and valet cars and that was my cover.

It was jazz night at West Abbey and Ritzy Riot was scheduled to lip sync on stage. I'd be there. The Captain would be there. Lucia would be there...

Of course, I was not to make my presence known. I hated it, it made me feel like a predator. There was nothing I wanted more than for Lucia to acknowledge my presence, for us to exchange words and smiles — but that was all vain fantasy, and I had to cool it. I couldn't afford getting excited over things like that, though I did. As an observer, I was supposed to remain stoic, camouflaged like an inconsequential statue in the backdrop. Examining, nothing more, nothing less.

On this particular night like many others, Lucia was unhappy. She knew she was trapped. You could tell by the far removed look in her eyes, like she was dreaming up places to live anywhere-but-here. It was also in the way she gasped for air; she felt the gravity. It was in the way she sighed as she flat-ironed her hair in front of the vanity mirror, every day, so it fell smooth like silk just barely above her tan shoulders. Her hair was blue. It wasn't like that when she first came onto the ship but even a smart girl like Lucia could fall victim to the fads of the podmarine.

Ritzy started the hair color trend. She came on board with hair a fire-engine red and it suited her the way unnatural blonde had suited Marilyn. Then suddenly all the girls were painting their hair like lollipops, even the aged women were, even the cynical ones. It didn't look silly on Lucia though, as it did on some of the poor old hens or the desperately frivolous girls, because it wasn't a washed or an airy sort of blue, but a rich, imperial, sapphire blue. Lucia wore that color like a crown and painted her lips a garnet wine. And she always wore solid colors so as not to seem too festive, and her clothes were usually streamlined and tailored to fit like an expensive glove.

Tonight, Lucia wore an off white silk dress. It had a mother of pearl sheen and fell like ultra-fine mail against her curves, with shoulder straps barely perceptible except when their minuscule rhinestones caught light. As a man you couldn't help but wonder how a dress like that even stayed on, it seemed so frail.

She sat at her vanity mirror. I concentrated on her from the computer screen in front of me, then I stared at the clock. We were on opposite ends of the ship and it would take us both the same amount of time to get to West Abbey.

The hidden camera in her room was positioned up high on ceiling but could drop like a spider to capture any and every angle. Lucia's living quarters were designed like the rest of the ship: functional, futuristic, minimal, and utilizing a sustainable material strong enough to withstand pressure. The room was more like a cruiseline suite than an actual home; everything was white and clean, lights were playful. There was a bed, a lounge with a short table and sleek mini-fridge, there was a dressing area with a vanity mirror that was also a television and a time-clock; everything sort of blended together. There was a bathroom, but no kitchen. (Rich people never cooked their own food, what's new?; they either dined out or ordered in — and the podmarine farmed its own food in excess, so Survivors could be as wasteful under water as they were on land).


Lucia's Apartment

I zoomed in on her as she tinkered with her jewelry and perfumed the warm pulse points of her body. And when she was done with that, she stared into the looking glass and suddenly became rigid, expressionless, like in a trance. I zoomed in some more to capture the remote look on her face. What was she thinking? I almost had it...

Then she snapped out of it, like she'd suddenly realized something, or had forgotten something and was trying to remember, and as she slowly turned her head towards the area of the room where the camera was hidden, a look of suspicion came over her and my heart skipped a beat. She'd never find the camera, it was imperceptible, but surely she was examining me from her peripheral; surely she could feel my eyes on her. After a moment of speculation, she turned back towards her own reflection and I breathed a sigh of relief. But then her eyes moved sharply to a spot on the mirror and her reflection was staring right at me!

Ritzy then walked into Lucia's room.

***


Actually, Ritzy didn't just walk into Lucia's room; she barged in dramatically, her satin-gloved arms outstretched towards the ceiling, her head tilted back as if she were battling inertia. The purple mink she wore fell off her shoulders onto the floor, revealing a dress of one thousand glittering diamonds laced together by the finest silver threads so it seemed like the jewels were pasted to her body.

She smiled and sank into a slinky pose, resting one arm on the open door sill. "Is that a gun in your pocket or are you just happy to see me?" she winked as her toned thigh peeked out from under the gown's high slit.

Lucia told her 'no' with a look of consternation.

Wearing a wide cheesecake grin, Ritzy began singing that Mae West song from Belle of the Ninetiessomething about, she'll be wearin' more diamonds than Uncle Sam's got Marines and now, he was her man but he came to see me sometimes — and she shimmied her shoulders and did her best jazz hands, but Lucia stared with blase.

Ritzy rolled her eyes and fell out of her smiling pose to light a cigarette. "Okay, friend, I'm going to need you to stop being so serious. No sooner than she lit her cigarette did she move to extinguish it in the abalone ashtray atop the vanity table. Ritzy shook her head at Lucia's reflection in the mirror. "We're going out. I don't need you to stare into space all night long, okay?" She turned from the mirror to look Lucia squarely in the face and said gravely, "I'm tired of making excuses for your boring attitude." She threw her hands in the air, sauntering towards the integrated fridge to pluck a bottle of champagne. "There's no excuse for the way you act sometimes!" After a moment of wavering, Ritzy decided on the Methuselah, examining its label against the light like checking the security strip in a costly bill. "Oh, never mind, anyway..." she said under her breath, talking to herself. "The Captain will be there so you'll be on your best behavior." She threw Lucia a wry grin.

"What's that supposed to mean?"

"You know exactly what it means."

Lucia did know exactly what it meant, so she fanned the air with her hands to sweep away the unnecessary chatter. "Shut up and pour me a drink."

"That's the spirit!" Ritzy trotted towards her friend and popped open the bottle, spilling its sparkling contents into two crystal flutes and handing one to Lucia. "I love it when you bring yourself down to earth."

Lucia drank her portion in one listless gulp. "I don't see how we can be any further down than we are now in this," she searched the ceiling to demonstrate, "damn podmarine."

"Well," Ritzy promptly refilled Lucia's glass and then lifted hers in a toast, "There's always Hell to look forward to."

They laughed sinfully and drank to vertical mobility, albeit downwards. And as they gathered their purses and checked themselves in the mirror, Ritzy ordered Lucia to stop being so plain and to put on the her Louboutins. Lucia wholeheartedly agreed, and the two were off, heels echoing like gunshots against clean marble.




I turned off my spy monitors, adjusted my bow tie, checked to make sure the nanotech bug I was to implant on Lucia was still in my pocket (it was), and quickly maneuvered through the door.



Saturday, July 28, 2012

PROLOGUE

Contributed by: Will

This is the greatest turning point mankind has faced in modern history.

I know that you’ve seen them. They might even be surrounding you now: the vultures, the chameleons, the snakes, the robots — all wearing the skin-tight mask of a human, all pretending to fit in. So many of them, it seems... enough to make one wonder if they were here all along and if realizing them is just part of the process, the aging process, though in happier, youthful times we called it, the growing process. A sense of urgency creeps into our lives as we get older and discover that we've been bound by an electric fence all this time. We grow angry at the world and the people inside of it because we can't ever seem to break free. We feel the anxiety — the lingering presence of the zoo keeper, shrouded and cunning and more powerful than we.

It happened to us collectively, that anger. And when it all sank in, we decided, "If you can't beat 'em, join 'em." We scurried to gather it all, to suck every last drop, even before the Freeze we did. They called it the Rat Race, where life was filled with lies and survival meant schemes and trickery. But that wasn't life. It was a spell of damnation luring us to hell, with neon signs guiding us to the Great Pyramid Scheme — we scaled the walls with bloody fingernails to a place where the one-eyed man  is king. Could we ever really make it to the top? Would we ever be satisfied?

If we avoided the race, we avoided life altogether. Many chose the comfort of false insulation: parmaceuticals and television sets. In such ways, we floated in our yellow submarine long before we ever set foot on the podmarine. Hymns of ignorance and flashing lights kept us afloat, hypnotizing us to believe the world was a wild and brutal place without them. So wrapped in this artificial womb, we carried along...

Denial was a common defense mechanism. Sure, we all wanted to be hopeful, to believe what we were told. Some willingly embraced the lies — the advertisements screaming at us: life is good, life is happy ; the preacher on a late night infomercial promising light at the end of the tunnel, a money-back guarantee. There was comfort in believing, but that comfort had a prerequisite and it was insanity: vapid, robotic insanity. Still others found solace in a different type of insanity, the type that got you quarantined from the rest of society, and the rest of society often wondered if these lunatics were onto something... something genius (of course, no one ever spoke of such things).

Courtyard of Lunatics by Francisco Goya, 1794

So in this concrete jungle, if we didn't succumb to sheep life or smiling madness, we were paranoid instead. Distrusting, internalizing fear and hate. Quietly aggressive. It kept getting worse, to the point where it was driving each and every one of us to the edge and we couldn't understand why.

We didn't know the problem was culminating from the outside in. We didn't know the power of negatively charged ions on the human psyche, or the true meaning of cosmic imbalance and how it affects one's biological state. We didn't know solar flares were driving us mad, or that planetary alignments were tugging at our sanities with invisible strings. How could we? We were man. We were the cause, never the effect.

Man was polluting the atmosphere.
Man was destroying the forest life.
Man was disrupting the ecosystem.
Man was killing the Earth!

And if man wanted to, man could save it...
But man was a control-freak and couldn't grasp the Design as something beyond his own making.

Really, if the world don't like us, it would shake us just like we were a cold. And that's exactly what it did, with the force of the Cosmos behind it.

Planetary alignment over the Pyramids at Giza, Dec. 3rd 2012


In December 2012, the winter came and never left. We called it, the Great Freeze.

Don't think for a moment we were all in the dark. Some of us had anticipated this for a very long time, world leaders and the scientists they paid, multi-billionaires who funded all the research: Oil Tycoons, Wall Street, the Vatican, the Cartels, etc., etc. The Major News Networks knew too, and they kept things under wraps like they were supposed to by discrediting the "fearmongers" and "doomsdayers".

The Elite — these people had access to the information. Valuable information. And they hoarded it because resources were scarce and there wasn't enough to go around. They fled the Apocalypse on board the the Atlantis, which brought them to the Lost City, "twenty thousand leagues under the sea." They called themselves, the Survivors, and they left the rest of mankind to die.

The Nautilus as Imagined by Jules Verne. Alphonse de Neuville, c. 1870
Twenty Thousand Legues Under the Sea 

Of course, some of us "poor people," skilled workers of the wage slave class, were offered a third-class ticket to survival onboard the Atlantis! (Well, someone had to scrub toilets, among other menial things...) They called us "lucky," and we agreed.

The lucky ones told no one. We knew better and besides, we can't all be lucky, can we? So we allied with the team of Power and, together, embarked on the ship. Together, we went under, closer to the center of the earth, where reality is an inverted Universe with water black as void, where monstrous fish roam with torch-light antannae and medusa crawl like writhing space amoeba. The podmarine (as it came to be called) hovered above the warmth of a geyser, fastened by ghostly, agglutinant webs to the ground, like the glistening egg-case of a spider. A luminescent light encased the hull, green as the iris of reptilian eyes.

.

We fit right in.


My name is Will. I'm a "lucky one," a Mover, and a true survivor.



Thursday, July 26, 2012

quote


INTRODUCTION

I've started this blog for the sake of truth.

For so long it seemed like we'd lost it entirely. The lot of us were too busy gnawing the bones they threw and digesting what they told us. They told us, "people can't handle the truth," and they waived it like some secret envelope above our heads and tickled our noses with it
The Truth: we have it; you want it; come get it. But it always was a false truth, a fool's truth.

Truth can never be told. It can never be taught or learned, only recognized. Because truth exists inside and all around us, in the fabric of our existence. It is elemental, and we must adapt in its light or else go against our own spiritual nature.

What I'm about to reveal to you, you already know.







My name is Jane. That's my real name, though I hardly ever use it.


Wednesday, July 25, 2012

ACKNOWLEDGEMENTS

I would like to thank all those involved in the creation of this blog: the artists, the videographers, the photographers, the illustrators, and the musiciansall of whom will be credited and enjoyed throughout.

I would particularly like to thank Inga Birgisdóttir for her short film to the Sigur Ros song, Varúð (via The Mystery Film Experiment #2). It was a piece of art that finally nudged me to begin what I have delayed for so long and as truth-in-art strikes a resonant chord in the collective soul, the film enticed me from the depths of my uncertainty to relate what is both my drive and purpose in life: hope for humanity even in the most despairing circumstances.

Again, I would like to thank Will for reliving the madness, the love, the anguish, and the faith.


I would like to thank Professor H.G. Ridley for making all this possible.

Of course, everyone here in Utopia would like to thank Lucia. She has given us a renewed purpose. Like Marley said, "Truth is, everyone is going to hurt you, you just have to find the ones worth suffering for" ;)


Finally, I would like to thank you, the reader, for opening your mind and searching for truth. Don't ever stop looking; you'll know it when you see it.